The End of Peggy Kamuf?

Peggy Kamuf complaines that her views of reading were misrepresented by a Salon.Com article, but her controversial paper is far more bizarre than Salon.Com let on.

Back in November I wrote about an article that appeared in Salon.Com about a paper, “The End of Reading,” presented by University of Southern California’s Peggy Kamuf at an academic conference. The article by Amy Halloran claimed that Kamuf described learning to read as a violent act that reinforces patriarchy. The article was picked up by a lot of conservative columnists who cited it as an example of how nutty academia has become.

For her part, Kamuf wrote letter to the editor of Salon.Com saying her views had been misrepresented. I bring this up because somebody sent me an e-mail message claiming my original article was “defaming” and providing a link to Kamuf’s paper (in my original article I complained that Halloran only paraphrased Kamuf rather than quoting from her paper verbatim).

Did Kamuf get a raw deal? After reading her paper I’m not sure what Kamuf is upset about. Here’s the quote I pulled from Halloran’s Salon.Com article last November,

She presented a paper (she read it aloud!) to a crowd of about 40 people, most of them academics, in which she insisted that teaching kids to read initiates them into the patriarchal construct of the family unit and society at large. This initiation is, according to her, a brutal and painful rite of passage. It is so painful, she added, that people don’t even recollect learning to read. The memory is repressed, said Kamuf, because the act is violent.

Well, here’s what Kamuf writes about learning to read,

It is not just as an abstract moment of definition that we must deal with this scientific and dominant model of reading. That model is also getting produced and reproduced in reading practices. The common notion of reading as information-extraction sets the principles, and thus institutes the laws and the institutions through which reading practices are maintained, that is, reintroduced, reproduced, and reinforced in each new generation of readers, as we like to think of them. And we do like our dearest common notion of reading to remind us of the whole family scene. Reading is also thereby getting produced and maintained as the site for the patriarchal, paternalistic family’s reproduction of itself. The practice gets passed down, most typically, in the voice of mothers, usually mothers, reading aloud to their children. There where this ancient practice of reading aloud survives, before the child’s invention of silent reading, it is the mother’s voice that has been made to echo with the letters taking shape on the page. I say “has been made to” because the scene is certainly not a natural one. It has also to be produced, reproduced, instituted. With the scene we are evoking of the child learning to read by listening to the mother’s voice, it is the institution of written signs themselves, and thus of all possible institutions that is being passed down. The institution of the family of man takes place in a scene of learning to read. But what we forget, what we have to forget or repress is that this is always also a violent scene inasmuch as it has to repeat, reinflict the violence that wrenches the human animal out of the state of sheer animality, where, as we are taught to believe once we can read, there is no such thing as reading in this common sense, the sense we all supposedly share, sharing thus the belief that only humans read or do what we call reading. Here one would begin to recognize another trait that all of these discourses attribute or contribute to our common sense of reading: that it is only human, that animals other than human animals do not read each other and do not read us, us other animals. Our common sense of reading, and the way we think we should read, the way we teach others to read, is thus also the site on which to reproduce this limit of the family of man, there where we feign to believe that other animals are not also others reading and reading us, no doubt for the most part to their great horror.

As is typical with academics, this is much more long winded and obscure than Halloran’s nice summary, but if anything the actual paper is even nuttier than Halloran’s biting paraphrase.

For example, look at what Kamuf writes about dyslexia. Dyslexia is a neurological disorder which makes it difficult for people to master written words and often other symbolic systems as well (such as musical or mathematical notation). Kamuf, however, complains that “so many powerful discourses” are obscuring psychoanalytic views of dyslexia forwarded by the likes of Paul de Man who, based on Kamuf’s footnote, viewed dyslexia as some sort of revolt by the unconscious against the violence of reading.

Kamuf’s paper ends with a plea for cognitive scientists to read literary theory, but her paper is an example of precisely why they ignore such pseudoscientific rantings.

Source:

The End of Reading. Peggy Kamuf, Paper delivered at the University at Albany, October 12, 2000.

Journalists Suck Up to the Unabomber

The Smoking Gun has outdone itself this time with a collection of letters donated to the University of Michigan’s Special Collections Library by none other than the Unabomber himself, Ted Kaczynski. The letters are a fascinating insight into the media circus — they consist of pitch letters from television personalities wanting to interview Kazcynski and were donated to The University of Michigan along with other correspondents and documents to and from Kazcynski.

For the most part, the television reporters are more than willing to kiss Ted’s ass to get an interview. Greta Van Susteren lets Kazcynski know that she thinks, “You are an extremely smart man.” A letter from a 20/20 producer informs Kazcynski that an interview with Barbara Walters will allow the Unabomber to clear up “what you think are misconceptions about you.”

But the most disgusting of the letters has to be from that bane of all existence, ABC-News’ Good Morning America. GMA correspondent Dan Dahler wants to convince Kaczynski that just because the Unabomber hates all technology doesn’t mean giving a TV interview would be compromising his principles,

I know I represent a form of technology abhorrent to you, but I also know from reading excerpts from your journal (released by the government – so I wonder if they’re accurate representations??) and descriptions of the intricately made explosive devices that you have a talent for using anything at hand for your purposes.

And journalists always wonder why people dislike their profession so much.

And You Thought Internet Patents Were Out of Control

Just when it looked like no one could top the insane patents some Internet companies are granting comes word that Smuckers has a patent on the good old peanut butter and jelly sandwich. Actually what they specifically have is a patent on a crustless peanut butter and jelly sandwich (i.e. the edges are crimped so the peanut butter and jelly is enclosed entirely within the bread).

A Michigan company, Albies Foods, that has long made pasties started selling crustless PBJ sandwiches to its customers and got hit with a cease and desist order from Smuckers.

Animal Rights Activist Jailed in the UK

Yesterday I mentioned the ongoing protests and actions taken by animal rights activists in Great Britain where activists almost succeeded in shutting down Huntingdon Life Sciences. Today Ananova reports that animal rights activist Charlotte Lewis, 28, will spend the next six months in jail for her actions against HLS.

Lewis sent at least two threatening letters and mailed them to employees of HLS. Forensic scientists managed to match her DNA with DNA found in the saliva residue on the back of stamps that Lewis had used to mail the letters.

Source:

Animal rights woman jailed over threats. Ananova, January 31, 2001.

HeroMachine.Com

Today’s USA Today had a small blurb about HeroMachine.Com. Hero Machine is a nicely done application using Flash that lets users generate artwork of super hero, fantasy and science fiction characters using a mix and match interface reminiscent of an electronic version of paper dolls. There are other programs out there that do this, but they’re not free, as Hero Machine is for the moment, and they don’t usually have the superb artwork that Jeff Herbert has created for Hero Machine. The superhero stuff is a lot of fun.

Ironically, it is one of most annoying aspects of comic books that landed Herbert’s site in USA Today — the exaggerated and almost always absurdly out of proportion breasts that comic arts give female characters. Herbert’s female characters are well endowed, but apparently that isn’t good enough for some folks who keep writing him asking for move cleavage. I liked Herbert’s response to those folks.

Exaggeration is part of the genre, but it’s always bugged me. You’re supposed to be this athletic figure; how would you do all that if you had these breasts flopping around in the wind? I’m not going to have ‘Superboobs’ here – it’s just a personal point of honor.

(For what it’s worth, I always assumed the big breasted super heroines had bras made out of some as-yet-discovered super alloy).

Anyway, I hope Herbert finds a way to make money off his venture as Hero Machine is a great application.

Plastic.Com and the XFL

A new web site I’m really impressed with is Plastic.Com. It’s sort of a pop culture Slashdot that picks up a lot of cool stories around the web that even I miss.

Anyway, today someone posted an item digging at the low salaries that the XFL is paying. The only problem is that XFL salaries are pretty high, as I pointed out on the Plastic site. The XFL pays a straight $4,500 per game fee to its players.

Compare that to the Arena Football League. Keep in mind the following salary structure was put in place only after the AFL players threatened to strike. Rookies receive a minimum of $900 per game. Two year veterans earn a minimum $1,250 per game, and three year veterans earn a minimum $1,450 per game.

$4,500 suddenly looks good. It looks even better when you consider that a lot of players in the AFL actually earn less than the minimum. The contract the AFL has with players allows for players to sign with a team at less then the minimum in order to help a team stay under the salary cap limit (and why the AFL then insists on calling these pay levels “minimums” — since obviously the aren’t — escapes me).

One person replying to my post did note that a straight up comparison wasn’t quite fair since the rules changes in the XFL make it much more dangerous than the AFL, but it’s hardly a secret that in any venture rewards are often commensurate with risk.

A bigger problem with the XFL that another person pointed out is that the XFL itself owns every team. In most professional leagues the individual teams are franchises which have to follow certain rules but for the most part are quasi-independent of the league itself. In the XFL, however, the individual teams are essentially just brands for different products owned by a single corporation. The track record with such ownership structures is not good because decisions tend to be made for the good of the league as a whole rather than for the good of an individual team, not to mention there isn’t the same intensity level for a team to win when it doesn’t really matter to the ultimate owner of that team how well the team does so long as the league in general is succeeding.

Finally, I forgot to mention the single best rules change that the XFL is introducing, which is its method of resolving overtime. I detest the NFL version where whoever scores first wins. The XFL uses a modified version of a system used at lower levels of football. In overtime the ball is placed at the opponent’s 20 yard line and the offense has 4 downs in which to score. Then the opposing team has the same opportunity.

In the XFL version, a team has to match or beat its opponent’s success. For example, suppose Team A throws for a touchdown on its second play in overtime. Team B also has to score a touchdown within two plays or be declared the loser.